[Intro text?]
# | Title | Author | Director | Year | Note | |
1 | WILD DUCK, THE | IBSEN | SAFRAN | |||
2 | GRIDO, IL | ANTONIONI | ANTONIONI | 2000 | ||
3 | AUTRE SOLITUDE, UNE | METGE | 1996 | |||
3 | CLAUDE REGY, LE PASSEUR | N/A | 1997 | Documentary | ||
3 | COMPLEXE DE THENARDIER, LE | PLIYA | RIBES | 2002 | ||
3 | FIL A LA PATTE, UN | FEYDEAU | LAVAUDANT | 2002 | ||
3 | INVENTAIRES | MINYANA | CANTARELLA | 1990 | ||
3 | LAPIN CHASSEUR | DESCHAMPS and MAKEIEFF | 1991 | |||
3 | ONCLE VANIA | CHEKHOV | BROCHEN | 2004 | ||
3 | PHEDRE | RACINE | CHEREAU | 2003 | ||
3 | SECRET ARCHITECTURE DU PARAGRAPHE, LA | N/A | 2002 | Documentary on Minyana | ||
3 | TAMBOURS SUR LA DIGUE | MNOUCHKINE | 2002 | |||
3 | THEATRE AU CINEMA, DU | MNOUCHKINE | 2003 | |||
3 | VIOL | JACQUES-WAJEMAN | 2003 | |||
4 | MIRACLE OF THEOPHILUS | BARBOUR | 2004 | |||
4 | THE APPLE TREE | BARBOUR | 2004 | |||
5 | MAN’S DESIRE AND FLEETING BEAUTY | BARBOUR | 2004 | |||
5 | MAN’S DESIRE AND FLEETING BEAUTY | N/A | 2004 | Behind the scenes | ||
6 | IWANOW | CHEKHOV | GOTSCHEFF | 2006 | ||
7 | IM RUKEN DER RUINEN | SCHMIDT/IRMER | ||||
8 | PLATANOV | HENKEL | 2006 | |||
9 | HEDDA GABLER | IBSEN | OSTERMEIER | 2006 | ||
10 | SPECIALISTER, DIE | MARTHALER | 1999 | |||
11 | GROUNDINGS | MARTHALER | 2003 | |||
12 | HOTEL ANGST | MARTHALER | 2004 | |||
13 | LULU | OSTERMEIER | 2004 | |||
14 | DREI SCHWESTERN | CHEKHOV | PUCHNER | 2002 | ||
15 | PESONENKREIS 3.1 | OSTERMEIER | 2000 | |||
16 | DANTONS TOD | BUCHNER | MARTHALER | 2004 | ||
17 | WOYZECK | BUCHNER | OSTERMEIER | |||
18 | A MEDEA: REQUIEM FOR A BOY | ABDOH | 1986 | |||
19 | RUSTY SAT ON A HILL ONE DAWN… | ABDOH | 1987 | |||
20 | EVA PERON | ABDOH | 1987 | |||
21 | KING OEDIPUS | SOPHOCLES | ABDOH | 1987 | ||
22 | PEEP SHOW | ABDOH | 1988 | |||
23 | MINAMATA | ABDOH AND OGLESBY | ABDOH | 1989 | ||
24 | PASOS EN LA OBSCURIDAD | ABDOH | 1990 | |||
25 | THE HIP-HOP WALTZ OF EURYDICE | ABDOH | 1990 | |||
26 | BOGEYMAN | ABDOH | ABDOH | 1991 | ||
27 | THE TRAIN PROJECT | ABDOH | 1991 | |||
28 | THE BLIND OWL | ABDOH | 1991 | |||
29 | THE LAW OF REMAINS | ABDOH | 1992 | |||
30 | SIMON BOCCANEGRA | VERDI | ABDOH | 1992 | ||
31 | TIGHT WHITE RIGHT | ABDOH | 1993 | |||
32 | QUOTATIONS FROM A RUINED CITY | ABDOH | ABDOH | 1994 | ||
33 | MEMORIAL SERVICE | N/A | 1995 | Reza Abdoh, LA and NY | ||
34 | MIXED IMAGES AND PROJECTS | ABDOH | ||||
35 | VIDEO WORKS | ABDOH | ||||
36 | INTERVIEW TAPES | N/A | ||||
37 | SHOW TAPES | ABDOH | ||||
38 | CAST REFERENCE VIDEO | ABDOH | ||||
39 | BRAND | IBSEN | 1959 | BBC | ||
39 | A DOLLS HOUSE | IBSEN | THAKER | 1992 | BBC | |
39 | GHOSTS | IBSEN | MOSHINSKY | 1987 | BBC | |
39 | ENEMY OF THE PEOPLE, AN | IBSEN | DAVIES | 1980 | BBC | |
39 | WILD DUCK, THE | IBSEN | BRIDGES | 1971 | BBC | |
39 | HEDDA GABLER | IBSEN | SEGAL | 1962 | BBC | |
39 | LADY FROM THE SEA, THE | IBSEN | COLEMAN | 1974 | BBC | |
39 | MASTER BUILDER, THE | IBSEN | HARRISON | 1958 | BBC | |
39 | MASTER BUILDER, THE | IBSEN | DARLOW | 1988 | BBC | |
39 | LITTLE EYOLF | IBSEN | DARLOW | 1982 | BBC | |
39 | PRETENDERS, THE | IBSEN | BBC | 2004 | Radio play | |
39 | PEER GYNT | IBSEN | BBC | 1949 | Radio play | |
39 | EMPEROR AND GALILEAN | IBSEN | BBC | 1990 | Radio play | |
39 | PILLARS OF SOCIETY, THE | IBSEN | BBC | 1989 | Radio play | |
39 | ROSMERSHOLM | IBSEN | BBC | 1990 | Radio play | |
39 | MEETING IN ROME, A | IBSEN | BBC | 1991 | Radio play | |
39 | JOHN GABRIEL BORKMAN | IBSEN | BBC | 1974 | Radio play | |
39 | WHEN WE DEAD AWAKEN | IBSEN | BBC | 1991 | Radio play | |
40 | MACBETH | SHAKESPEARE | KRESNIK | 1988 | ||
41 | BROKEN JUG, THE | KLEIST | 1935 | |||
42 | CHILDREN’S HOUR, THE | LILLIAN HELLMAN | WYLER | 1961 | ||
43 | LITTLE CLAY CART | SHUDRAKA | POMONA COLLEGE | 1994 | ||
44 | VENETIAN TWIN’S, THE | GOLDONI | ||||
45 | QUILOMBO | DIEGUES | DIEGUES | 1984 | Portuguese w/ Subtitle | |
46 | HAROLD CLURMAN: “A LIFE OF THEATER” | STELLA ADLER STUDIO | American Masters Series | |||
47 | BRAND | IBSEN | BRAUNSCHWEIG | 2006 | Theatre National de Strasbourg | |
48 | DER KIRSCHGARTEN | CHEKHOV | RICHTER | 2008 | Schaubuhne, poor quality | |
49 | DREI SCHWESTERN | CHEKHOV | RICHTER | 2006 | Schaubuhne | |
50 | HAMLET | SHAKESPEARE | OSTERMEIER | 2008 | Schaubuhne | |
51 | TAMBOURS SUR LA DIGUE | CIXOUS | MNOUCHKINE | 2002 | Theatre du Soleil | |
52 | TARTUFFE | MOLIERE | BRAUNSCHWEIG | 2008 | Theatre National de Strasbourg | |
53 | BARROCO | BLANCO | LEDUC | 1989 | ||
54 | TARTUFFE | MOLIERE | BRAUNSCHWEIG | 2008 | ||
55 | CHINESE PERFORMING ACTS | VARIOUS | BERT CREWS | |||
56 | MACBETH | 2010 |
VHS
# | Title | Author | Director | Year | Note |
1 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 191/2 – Anna Christie | ||
2 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 241/2 | ||
3 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 251/2 | ||
4 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 253/4 – Fit to be Tied | ||
5 | WORKING IN THE THEATRE – DESIGN | N/A | Seminar – 255/6 | ||
6 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 257/8 | ||
7 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 259/60 | ||
8 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 261/2 – Stanley | ||
9 | WORKING IN THE THEATRE – UNIONS AND GUILDS | N/A | Seminar – 263/4 | ||
10 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 265 | ||
11 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 266 | ||
12 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 267 – Side Show | ||
13 | WORKING IN THE THEATRE – DESIGN | N/A | Seminar – 268 | ||
14 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 269 | ||
15 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 270 – The Lion King | ||
16 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 271 | ||
17 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 272 – Ragtime | ||
18 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 273 | ||
19 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 274 | ||
20 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 275 – Sideman | ||
21 | WORKING IN THE THEATRE – DESIGN | N/A | Seminar – 276 | ||
22 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 277 | ||
23 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 278 | ||
24 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 279 | ||
25 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 280 – The Civil War | ||
26 | WORKING IN THE THEATRE – CRITICS | N/A | Seminar – 281 | ||
27 | WORKING IN THE THEATRE – PW/DIR/CHOREOG | N/A | Seminar – 282 | ||
28 | WORKING IN THE THEATRE – PRODUCTION | N/A | Seminar – 283 – Contact | ||
29 | WORKING IN THE THEATRE – DESIGN | N/A | Seminar – 284 | ||
30 | WORKING IN THE THEATRE – PERFORMANCE | N/A | Seminar – 285 | ||
31 | THE COPENHAGEN INTERPRETATION: SCIENCE AND HISTORY ON STAGE | N/A | 2002 | 3 tapes; seminar at the GC | |
32 | CREATING COPENHAGEN | N/A | 2000 | 3 tapes; seminar at the GC | |
33 | STORIA DELLA BAMBOLA ABANDONATA, LA | BRECHT AND SASTRE | STREHLER | ||
34 | SEI PERSONAGGI IN CERCA D’AUTORE | PIRANDELLO | DE LULLO | 1970 | |
35 | MINNA VON BARNHELM | LESSING | STREHLER | ||
36 | GL’INNAMORATI | GOLDONI | BASEGGIO | ||
37 | FEM GANGER ET DUKKEHJEM | IBSEN | |||
38 | HOLLANDIA | N/A | 1995 | Documentary on the Theatergroupe Hollendia | |
39 | ERNANI | VERDI | Metropolitan Opera | ||
40 | FREISCHUTZ, DER | VON WEBER | 1981 | 2 tapes; Wurtemberg State Opera | |
41 | NOZZE DI FIGARO, LE | MOZART | 2 tapes; London Philharmonic | ||
42 | BARBIERE DI SIVIGLIA, IL | ROSSINI | 1988 | Stuttgart Radio Symphony | |
43 | AFRICAINE, L’ | MEYERBEER | 2 tapes; San Francisco Opera | ||
44 | CYRANO DE BERGERAC | RAPPENEAU | 1991 | ||
45 | VERITABLE HISTOIRE D’ARTAUD LE MOMO, LE | MORDILLAT and PRIEUR | 1993 | ||
46 | UBU PROJECT, THE | ||||
47 | BERENICE | RACINE | 1995 | ||
48 | JEU DE L’AMOUR ET DU HASARD, LE | MARIVAUX | ROUSSILLON | 1976 | |
49 | HORACE | CORNEILLE | MIQUEL | 1971/2 | Comedie Francaise |
50 | HERNANI | HUGO | HOSSEIN | 1975 | Comedie Francaise |
51 | RUY BLAS | HUGO | ROULEAU | 1971 | Comedie Francaise |
52 | MALADE IMAGINAIRE, LE | MOLIERE | COCHET | 1973/4 | |
53 | FOURBERIES DE SCAPIN, LES | MOLIERE | DUC | 1990 | |
54 | TARTUFFE | MOLIERE | DUC | 1990 | |
55 | MISANTHROPE, LE | MOLIERE | DUC | ||
56 | AVARE, L’ | MOLIERE | MAUCLAIR | 1990 | |
57 | BUILDING OF THE ARK, THE, AND THE FLOOD | YORK CYCLE | 1998 | University of Toronto | |
57 | FALL OF ANGELS, THE | YORK CYCLE | 1998 | University of Toronto | |
57 | TEMPTATION AND FALL, THE | YORK CYCLE | 1998 | University of Toronto | |
58 | FLIGHT INTO EGYPT, THE | YORK CYCLE | 1998 | University of Toronto | |
58 | HEROD AND THE MAGI | YORK CYCLE | 1998 | University of Toronto | |
58 | SLAUGHTER OF THE INNOCENTS, THE | YORK CYCLE | 1998 | University of Toronto | |
59 | CONSPIRACY, THE | YORK CYCLE | 1998 | University of Toronto | |
59 | ENTRY INTO JERUSALEM, THE | YORK CYCLE | 1998 | University of Toronto | |
59 | TEMPTATION OF CHRIST, THE | YORK CYCLE | 1998 | University of Toronto | |
60 | CHRIST BEFORE ANNAS AND CAIAPHAS | YORK CYCLE | 1998 | University of Toronto | |
60 | CONSPIRACY, THE | YORK CYCLE | 1998 | University of Toronto | |
60 | DREAM OF PILATE’S WIFE, THE | YORK CYCLE | 1998 | University of Toronto | |
61 | CHRIST BEFORE HEROD | YORK CYCLE | 1998 | University of Toronto | |
61 | CRUCIFIXION, THE | YORK CYCLE | 1998 | University of Toronto | |
62 | DEATH AND BURIAL OF CHRIST, THE | YORK CYCLE | 1998 | University of Toronto | |
62 | HARROWING OF HELL, THE | YORK CYCLE | 1998 | University of Toronto | |
63 | LAST JUDGEMENT, THE | YORK CYCLE | 1998 | University of Toronto | |
63 | RESSURECTION, THE | YORK CYCLE | 1998 | University of Toronto | |
64 | YIIMIMANGALISO THE MYSTERIES | DORNFORD-MAY | 2001 | ||
65 | KILLING OF ABEL, THE | WAKEFIELD MASTER | 1987 | ||
66 | 14TH CENTURY EASTER MATINS WITH THE HARROWING OF HELL | 1989 | |||
67 | CASTLE OF PERSEVERANCE, THE: A PERSPECTIVE | 1980 | |||
68 | MY QUEER BODY | TIM MILLER | TIM MILLER | ||
69 | OUT FROM UNDERGROUND | JANICE PERRY | N/A | ||
70 | FERVEUR: LA COMEDIE FRANCAISE | N/A | Documentary | ||
71 | EDMUND ROSTAND | N/A | 1995 | Documentary | |
72 | BORIS GODUNOV | ||||
73 | PARSIFAL | WAGNER | SYBERBURG | 1982 | |
74 | JEDERMANN | 1961 | Salzburger Festspiele | ||
75 | NATIVE AMERICANS, THE: THE TRIBAL PEOPLE OF THE NORTHWEST | N/A | 1994 | Documentary | |
76 | NATIVE AMERICANS, THE: THE PEOPLE OF THE GREAT PLAINS | N/A | 1994 | Documentary | |
77 | NATIVE AMERICANS, THE: THE TRIBES OF THE SOUTHEAST | N/A | 1994 | Documentary | |
78 | NATIVE AMERICANS, THE: THE NATIVES OF THE SOUTHWEST | N/A | 1994 | Documentary | |
79 | AIDA | JOHNS and RICE | Sneak Peek | ||
80 | MISTERO BUFFO | FO | RAME | 2 tapes | |
81 | TURTLE DIARY | PINTER | IRVIN | 1985 | |
82 | CARD, THE | NEAME | 1995 | ||
83 | MY UNCLE | ||||
84 | BOURGEOIS GENTILHOMME, LE | MOLIERE | 1958 | ||
85 | CHRISTMAS CAROL, A | 1995 | |||
86 | ECLIPSE, THE | ANTONIONI | 1988 | ||
87 | BUFFALO BILL’S WILD WEST SHOW | ||||
88 | ANNIE HALL | 1977 | |||
89 | BETHPAGE VILLAGE | 1995 | GOOD DAY NY | ||
90 | VILLAGE THEATRE IN SENEGAL | N/A | |||
91 | ORESTIE | 2 tapes | |||
92 | TORQUATO TASSO | GOETHE | DORN | 3 tapes | |
93 | TORQUATO TASSO | GOETHE | PEYMANN | 2 tapes | |
94 | TORQUATO TASSO | GOETHE | STEIN | 2 tapes | |
95 | N-TOWN PASSION, THE | SCHELL | SCHELL | With Booklet | |
96 | DREAMS OF A CITY – CREATING EAST PALO ALTO | ||||
97 | TIO VANIA | CHEKHOV | |||
98 | PRINCE FRIEDRICH VON HAMBURG | KLEIST | STEIN | ||
99 | BROKEN JUG, THE | KLEIST | 1935 | ||
100 | KIRSCHGARTEN, DER | ZADEK | 1996 | ||
101 | 24 STUNDEN | POLLESCH | 2002 | Volksbuhne; Poor visual | |
102 | ANATOMIE TITUS | MULLER | 1983 | ||
103 | AMICHE, LE | ANTONIONI | |||
104 | AUFTAG, DER | MULLER | 1990 | ||
104 | HAMLETMACHINE | MULLER | MULLER | 1990 | |
105 | AUTHAFTSAME DER ARTURO UI, DER | BRECHT | MULLER | 1992 | PAL format |
106 | AVENTURA, L’ | ||||
107 | B. BEAVER ANIMATION | MABOU MINES | 1990 | ||
108 | BACCHAE, THE | EURIPIDES | GRUBER | 1974 | 2 tapes |
109 | BAUMEISTER SOLNESS | IBSEN | WILLERT | 1995 | 2 tapes |
110 | BAUMEISTER SOLNESS | IBSEN | WILLERT | ||
111 | BAUMEISTER SOLNESS | IBSEN | ZADEK | 1983 | 2 tapes |
112 | BAUMEISTER SOLNESS | IBSEN | ZADEK | 1983 | |
113 | BEDAZZLED | ||||
114 | BLACK RIDER, THE | WILSON | 1990 | ||
115 | CIVIL WAR | WILSON | 1984 | ||
116 | CLAY CART, THE | 1990 | |||
117 | COLD HARBOR- MEXICO CITY | BILL RAYMOND | MABOU MINES | 1989 | |
118 | DAMONEN | CASTORF | 2001 | 2 tapes | |
119 | DAY IN NEW YORK, A | NORA GLICKMAN | |||
120 | DAY OF THE DEAD | ||||
121 | DOLLS HOUSE | OSTERMEIER | |||
122 | DON JUAN | MOLIERE | |||
123 | DREI SCHWESTERN | CHEKHOV | MARTHALER | 2002 | |
124 | DREI SCHWESTERN | CHEKHOV | MARTHALER | 2002 | |
125 | ENDSTATION AMERIKA | CASTORF | 2 tapes | ||
126 | ENEMY OF THE PEOPLE | IBSEN | KRIEGENBERG | 1997 | 2 tapes |
127 | ERNANI | 1983 | 2 tapes | ||
128 | EXPELLED, THE | FATAH | |||
129 | FRAU VON MEER | CASTORF | 1993 | 2 tapes | |
130 | FRUHLINGSERMACHEN | ZADEK | 1976 | ||
131 | GAME, THE | MOHAMED | |||
132 | GESPENSTER | HARTMANN | 2000 | ||
133 | GESPENSTER | HARTMANN | 2000 | ||
134 | GESPENSTER | LANGHOFF | |||
135 | GHETTO | ZADEK | 1985 | ||
136 | GHOSTS OF VERSAILLES | HOFFMAN and CORIGLIANO | 1992 | ||
137 | GIER NACH GOLD | CASTORF | |||
138 | HAMLET NEKROSIUS | Acts 1-4 | |||
139 | HEARTBREAK HOUSE | SHAW | HARRISON/IRVING/IVEY | ||
140 | IDIOT, DER | CASTORF | 2 tapes | ||
141 | JOURNEY, THE | GHANEM | |||
142 | KING LEAR | SHAKESPEARE | CASTORF | 1992 | 2 tapes |
143 | KOHL PILLOW | FATAH | |||
144 | LADY FROM THE SEA | IBSEN | LANGHOFF | 1990 | |
145 | LADY FROM THE SEA | IBSEN | LANGHOFF | 1990 | 2 tapes |
146 | LADY FROM THE SEA | IBSEN | CASTORF | 1993 | |
147 | LEONCE AND LENA | BUCHNER | KORTNER | 1964 | |
148 | LEAR | MABOU MINES | 1990 | 3 tapes | |
149 | LORENZACCIO | DE MUSSET | LANGHOFF | ||
150 | LORENZACCIO | DE MUSSET | LANGHOFF | ||
151 | MACBETH | SHAKESPEARE | KRESNIK | 1988 | |
151 | RICHARD II | SHAKESPEARE | MNOUCHKINE | 1984 | |
152 | MACBETH | SHAKESPEARE | KRESNIK | 1988 | |
153 | GOLDEN AGE OF 2ND AVE | Yiddish theatre | |||
153 | MARTYRDOM OF ST SEBASTIAN | 1997 | |||
154 | MEIN KAMPF | TABORI | 1988 | ||
155 | MEISTER UND MARGARITA, DER | ||||
156 | MERCHANT OF VENICE | ZADEK | 1990 | ||
157 | METAPHYSICS OF A TWO HEADED CALF | Arts School of Theatre | |||
158 | MOTHER COURAGE | BRECHT | |||
159 | MURX DEN EUROPAER | MARTHALER | |||
160 | NIEBOSKA COMEDIA | HUBNER | |||
161 | NORA | OSTERMEIER | 2004 | 2 tapes | |
162 | NORA | OSTERMEIER | 2004 | ||
163 | ORDO VIRTUTUM | ||||
164 | KAFKA | RYBCZYNSK | |||
164 | ORCHESTRA | RYBCZYNSK | |||
165 | ORESTEIA I | AESCHYLUS | STEIN | 1980 | 2 tapes; German, no subtitles; poor quality |
166 | ORESTEIA II | AESCHYLUS | STEIN | 1980 | 2 tapes |
167 | OTHELLO | TABORI | 1990 | ||
168 | OTHELLO | TABORI | 1990 | 2 tapes | |
169 | PASSENGER, THE | ANTONIONI | |||
170 | PEER GYNT | IBSEN | STEIN | 1971 | 2 tapes |
171 | PEER GYNT | IBSEN | STEIN | 1975 | 2 tapes |
172 | PEER GYNT | IBSEN | STEIN | 1971 | 2 tapes |
173 | PEER GYNT | IBSEN | STEIN | 1971 | 3 tapes; Parts I and II |
174 | PETER BROOK | N/A | 1987 | 7 Dec – at the GC | |
175 | PETROLINI | ||||
176 | PHAEDRA | STEIN | 1989 | ||
177 | PHAEDRA | STEIN | 1989 | ||
178 | POPE JOAN | ||||
179 | PORTRAIT OF DALE GOODSON | T. ZAFIAN | 1997 | ||
180 | PRINCE FRIEDRICH V.HAMBURG | STEIN | 1972 | ||
181 | PRELUDE TO DEATH IN VENICE | BREUER | MABOU MINES | 1986 | |
182 | DIE RAUBES | CASTORF | 1990 | ||
183 | ROBERT WILSON AND FRED NEWMAN | N/A | Interviews | ||
184 | ROMEO AND JULIET | HAUSSMAN | 1993 | 2 tapes | |
185 | ROMEO UND JULIA | HAUSSMANN | 1993 | ||
186 | ROSMERSHOLM | ZADEK | 2001 | 2 tapes | |
187 | ROSMERSHOLM | ZADEK | 2001 | ||
188 | SCARLET PIMPERNEL, THE | ||||
189 | SICILIAN PUPPET SHOW | 1994 | |||
190 | SOMMERNACHTSTRAUM | BEIER | 1995 | ||
191 | SOMMERNACHTSTRAUM | BEIER | 1995 | 2 tapes | |
192 | STADT ALS BEUTE | POLLESCH | |||
193 | STUNDE NULL | MARTHALER | 1996 | ||
194 | STURM | SHAKESPEARE | BEIER | 1997 | 2 tapes |
195 | STURM VOR SHAKESPEARE | SHAKESPEARE | MARTHALER | ||
196 | TARMENA | FATAH | |||
197 | THREE SISTERS | MATHALER | 1997 | 2 tapes | |
198 | TEMPEST, THE | STREHLER | |||
199 | THROUGH THE LEAVES | KROETZ | MABOU MINES | 1990 | |
200 | TITANIA AND THE SEVEN INDIAN BOYS | Video Montage | |||
201 | TRIUMPH DU LIEBE | BONDY | 1985 | ||
202 | TURKISH TOURIST FILM W/ SHADOW PUPPETS | N/A | |||
203 | VAMPYR, DER | ||||
204 | VAMPYR | ||||
205 | VISIT TO THE SEPULCHRE | ||||
206 | WINTERS TALE | BONDY | 1992 | ||
207 | WOMAN FROM THE SEA | 1998 | Khan Theatre, Jerusalem | ||
208 | WOYCECK | BUCHNER | OSTERMEIER | ||
209 | WOYCECK | BUCHNER | OSTERMEIER | ||
210 | WOYZECK | BUCHNER | |||
211 | ENDSTATION AMERIKA | CASTORF | |||
212 | URTURO UI | BRECHT | MULLER | 1995 | |
213 | AL WARSHA PERFORMANCES | N/A | Egyptian Contemporary Performance | ||
214 | CASEBOOK ON SANSKRIT THEATRE | N/A | 1995 | ||
215 | EGYPTIAN THEATRE CONFERENCE | N/A | 1999 | At the GC | |
216 | DAMONEN | CASTORF | 2001 | ||
217 | MURX DEN EUROPAER | MARTHALER | |||
218 | BOOTH AWARD, THE | N/A | 1992 | Arthur Miller | |
219 | BOOTH AWARD, THE | N/A | 1994 | ||
220 | BOOTH AWARD, THE | N/A | 1995 | Anne Hamburger | |
221 | BOOTH AWARD, THE | N/A | 1996 | ||
222 | BOOTH AWARD, THE | N/A | 1997 | Richard Foreman | |
223 | STURM VOR SHAKESPEARE | SHAKESPEARE | MARTHALER | 1994 | Volksbuhne |
224 | ASKING LOVE | Chuanju Opera | |||
224 | PALACE OF ETERNITY – THE BANQUET | SHENG | 1989 | Kunqu Opera, scene | |
225 | ORESTEIA II | AESCHYLUS | STEIN | 1980 | |
226 | IM DICKICHT DER STADT | BRECHT | BERGHAUS | 1992 | Thalia Theater, Hamburg |
226 | MEIN KAMPF III | TABORI | |||
227 | THE KNACK AND HOW TO GET IT | JELLICOE (based on) | LESTER | ||
228 | RICHARD III | SHAKESPEARE | OLIVIER | 1955 | |
229 | HAMLET | SHAKESPEARE | ZEFFIRELLI | 1990 | |
230 | HENRY IV parts 4 and 5 | SHAKESPEARE | MNOUCHKINE | 1984? | |
230 | ULRIKE MEINHOF | KRESNIK | KRESNIK | 1990 | Starts at 1:18; low sound |
231 | SEAGULL, THE | CHEKHOV | BRETH | Poor picture quality | |
232 | EMILIA GALOTTI | LESSING | THALHEIMER | 2001? | |
233 | LOHNDRUCKER, DER (The Scab) | MULLER | 1986 | From start to 2:27:30 | |
233 | KARIERTE WESTE, DIE (The Checkered Vest) | ENGEL | 1936 | Starts at 2:27:30; Starring Karl Vatentin | |
233 | IM PHOTOATELIER (In the Photo Studio) | RITTER | 1932 | Starts at 2:27:30; Starring Karl Vatentin | |
234 | RAUBER (Robbers) | SCHILLER | CASTORF | 1996 | PAL format |
235 | PETER STEIN | N/A | 1987 | Documentary at the Shaubuhne | |
235 | KABALE UND LIEBE (Intrigue and Love) | SCHILLER | SYBERBERG | 1965 | |
236 | SCHLACHTEN! | LANOYE | PERCEVAL | 1999 | Based on Shakespeare’s War of the Roses plays |
237 | ALICE | 1988 | 0:55:00-2:21:00 | ||
237 | FAUST | GOETHE | 2:21:00-3:53:00 | ||
237 | MOZNOSTI DALOGU (Dimensions of Dialogue) | SVANKMAJER | 1982 | 0-0:11:40 | |
237 | POSLEDNI TRIK (The Last Trick) | SVANKMAJER | 1964 | 0:11:40-0:23:30 | |
237 | RAKVICKARNA (Punch and Judy) | SVANKMAJER | 1966 | 0:23:30-0:33:45 | |
237 | ET CETERA | SVANKMAJER | 1966 | 0:33:45-0:41:00 | |
237 | ZVAHLAV ANEB SATICKY SLAMENEHO HUBERTA (Jabberwocky) | SVANKMAJER | 1971 | 0:41:00-0:55:00 | |
238 | TRAUMSPIEL, EIN (A Dream Play) | STRINDBERG | MANTHLEY | 1987 | |
238 | NUIT DES ROIS, LA (Twelfth Night) | SHAKESPEARE | MNOUCHKINE | 1954 | Starts at 01:28:30 |
239 | SORRY, WRONG NUMBER | FLETCHER | LITVAK | 1948 | Movie, includes preview |
240 | STADT ALS BEUTE | POLLESCH | 2001 | PAL format | |
241 | MY DARLING CLEMINTINE | FORD | 1946 | Movie | |
241 | CONFORMISTA, IL (The Conformist) | BERTOLUCCI | 1970 | 1 scene in English; Starts at 1:36:50 | |
242 | KAUFMANN VON VENEDIG, DER (The Merchant of Venice) | SHAKESPEARE | SCHENK | 1969 | Start to 2:36:00 |
242 | HANS MEYER AND ROLF LIEBERMANN | N/A | 1992 | Interviews Starts at 2:36:00 | |
243 | SYBERBERG FILMT BRECHT | SYBERBERG | 1993 | Originally 8mm films of Berliner Ensemble | |
244 | CHUSHINGURA | Acts 5 and 6 | |||
244 | ENNOSUKE III | N/A | Interview | ||
245 | YUGIRI AWA NO NARUTO | CHIKAMATSU | Starts at 0:00:8 | ||
245 | KUMAGAI JIN’YA (Kumagai’s Camp) | Starts at 1:36:00. Second half on video 246 | |||
246 | KUMAGAI JIN’YA (Part 2) | ||||
246 | MOMIJIGORI | Starts at 01:14:30. Second half on video 247 | |||
247 | MOMIJIGORI (Part 2) | Tape in bad condition | |||
247 | KOI MUSUME | Starts at 0:13:30; Tape in bad condition | |||
247 | BUNRAKU | N/A | Interview; tape in bad condition | ||
248 | KANJUCHO | Starts with tour of theatre and interviews with actors | |||
248 | KAN’U | Starts at 01:19. Second half on video 249 | |||
249 | KAN’U (Part 2) | With breaks | |||
250 | VENETIAN TWINS, THE | GOLDONI | |||
251 | AKROPOLIS | POLISH LABORATORY THEATRE | GROTOWSKI | 1968 | |
252 | BOOTH AWARD–PAULA VOGEL, THE | DTSA | 2005 | Paula Vogel | |
253 | ARABIC THEATRE CONFERENCE | CUNY GRADUATE CENTER | 1999 | 3 tapes– A,B, and C | |
254 | BOOTH AWARD, THE | DTSA | 1991 | ||
255 | SUNSET BLVD. ADVERTISEMENT | GROUP SALES BOX OFFICE | 1996 | Features Elaine Paige in various roles | |
256 | “BUT THY SPEAKING OF MY TONGUE:” LANGUAGES OF SHAKESPEARE’S PLAYS | LOYOLA UNIVERSITY CHICAGO | ANNUAL McELROY CELEBRATION | 2002 | 90 minutes |
257 | MOULED (BIRTH FEAST) OF SAIDA ALSHA | EL WARSHA | Not in NTSC format | ||
258 | MAHMOUD EL LOZY–DIRECTING AND ACTING | Demo reel | |||
259 | OLD BETHPAGE VILLAGE | GOOD DAY NEW YORK | 1995 | Interviews with 19th C reenactors | |
260 | MARK MORRIS MODERN DANCE GROUP |