“In these times”
Bhargav Rani “There has never been an epoch that did not feel itself to be “modern” in the sense…
The Excelsior Scholarship Program Will Not Make CUNY Free for Most Students (And Wasn’t Designed To)
Joseph van der Naald, writing for Free CUNY On April 7, Governor Andrew Cuomo announced that an agreement…
Where Do We Go From Here?
Rachel J. Chapman The year so far has been marked by racist and nationalist regimes, including those initiated by…
The Tragedy at Pulse Gay Nightclub and the LGBT Community Leadership for Gun Control
Chuck Stewart I will never forget the morning of 12 June, 2016. I was up early, eager to drive…
In Defense of the White Working-Class Man
Gordon Barnes The idea that white working-class men are in any way important to “progressive,” “radical,” or otherwise substantive…
“ASKEW”
By Patricia Brody “Yet will I show one sight” That I saw in my time. From Lines In Prison,…
Pronouns, Privilege, and Pedagogy (Oh My)
Jenn Polish We often write and talk over beers and coffee about watching our students grow over the…
Resurrecting the Ghost: Emotional Labor in the Classroom
Sarah Hildebrand A friend of mine has a term for students who attend the first few weeks of a…
Dance Exhibition as Retrospective, as Pilgrimage: A Review of “Work/Travail/Arbeid”
Eylül Fidan Akıncı Retrospectives in dance and choreography are fashionable now, partly because of the increasing numbers of visual arts…
Parts from a Normalized Apocalyptic Time: Just Come Over at 9pm
By Miriam Gabriel / Maryam Imam (Written a day after the third debate between Clinton and Trump, after which…
A Pacific Revival: A Review of “Pacific Overtures”
By Curtis Russell In the 1970s, the creative partnership of composer/lyricist Stephen Sondheim and director Hal Prince revolutionized the…
