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<channel>
	<title>Caesura </title>
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		<item>
		<title>Thu Feb 17: Visualizing Radical History</title>
		<link>http://opencuny.org/caesurajames/2011/02/18/thu-feb-17-visualizing-radical-history/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/18/thu-feb-17-visualizing-radical-history/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 20:03:26 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=85</guid>
		<description><![CDATA[Eric Foner,“Zinn’s Critical History.” The Nation, February 22, 2010. Michael Kazin,“Howard Zinn’s History Lessons.” Dissent, Spring 2004. Bruce Kuklick, “The People? Yes.” The Nation, May 24, 1980. Staughton Lynd,“Reflections on Radical History,” Radical History Review Vol. 79 (2001), PP. 104-107. Rosenbaum, Jonathan. “Historical Meditations on Two Films by John Gianvito.” Film Comment Vol. 62. No.2 [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Visualizing-Peoples-History.jpg"><img class="aligncenter size-medium wp-image-86" src="http://opencuny.org/caesurajames/files/2011/02/Visualizing-Peoples-History-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>Eric Foner,“Zinn’s Critical History.” <em>The Nation</em>, February 22, 2010.</p>
<p>Michael Kazin,“Howard Zinn’s History Lessons.” <em>Dissent</em>, Spring 2004.</p>
<p>Bruce Kuklick, “The People? Yes.” <em>The Nation</em>, May 24, 1980.</p>
<p>Staughton Lynd,“Reflections on Radical History,” <em>Radical History Review</em> Vol. 79 (2001), PP. 104-107.</p>
<p>Rosenbaum, Jonathan. “Historical Meditations on Two Films by John Gianvito.” <em>Film Comment</em> Vol. 62. No.2 (Winter 2008), January 13, 2011,</p>
<p><span style="text-decoration: underline">http://www.jonathanrosenbaum.com/?p=14993</span>.</p>
<p>Michael Sicinski,“Reigniting the Flame: John Gianvito’s <em>Profit Motive and the Whispering Wind</em>.” <em>Cinema Scope</em> Vol. 32. January 13, 2011,</p>
<p><span style="text-decoration: underline">http://www.cinema-scope.com/cs32/int_sicinski_gianvito.html</span>.</p>
<p>Sam Walker, “Documentary Photography in America: The Political Dimensions of an Art Form.” <em>Radical America </em>Vol. 11, No.1 (Jan-Feb 1977), pp.53-66.</p>
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		<item>
		<title>Tue Feb 15: FRAME, Issue #1</title>
		<link>http://opencuny.org/caesurajames/2011/02/18/tue-feb-15-frame-issue-1/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/18/tue-feb-15-frame-issue-1/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 20:01:23 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=82</guid>
		<description><![CDATA[]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Frame-Launch.jpg"><img class="aligncenter size-medium wp-image-83" src="http://opencuny.org/caesurajames/files/2011/02/Frame-Launch-300x198.jpg" alt="" width="300" height="198" /></a></p>
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		<item>
		<title>Fri Feb 11: A Time to Stir</title>
		<link>http://opencuny.org/caesurajames/2011/02/18/fri-feb-11-a-time-to-stir/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/18/fri-feb-11-a-time-to-stir/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 19:56:04 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=75</guid>
		<description><![CDATA[Stephan Bradley, &#8220;&#8216;Gym Crow Must Go!&#8217; Black Student Activism at Columbia University, 1967-1968,&#8221; The Journal of African American History, Vol. 88, No. 2 (Spring 2003), pp. 163-181 Stephen Donadio, &#8220;Black Power at Columbia,” Commentary, No. 46 (September 1968), pp. 67-76 Richard Hofstadter, &#8220;The 214th Columbia University Commencement Address,&#8221; The American Scholar 37 (Autumn 1968), pp. [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/A-Time-to-Stir.jpg"><img class="aligncenter size-medium wp-image-76" src="http://opencuny.org/caesurajames/files/2011/02/A-Time-to-Stir-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>Stephan Bradley, &#8220;&#8216;Gym Crow Must Go!&#8217; Black Student Activism at Columbia University, 1967-1968,&#8221; <em>The Journal of African American History</em>, Vol. 88, No. 2 (Spring 2003), pp. 163-181</p>
<p>Stephen Donadio, &#8220;Black Power at Columbia,”<em> Commentary</em>, No. 46 (September 1968), pp. 67-76</p>
<p>Richard Hofstadter, &#8220;The 214th Columbia University Commencement Address,&#8221; <em>The American Scholar</em> 37 (Autumn 1968), pp. 583-89.</p>
<p>Mark Rudd, &#8220;An Open Letter to President Kirk&#8221; (April 1968), February 4, 2011</p>
<p>http://www.thestickingplace.com/film/films/a-time-to-stir/articles-and-documents/open-letter-to-president-kirk-from-mark-rudd/</p>
<p>Diana Trilling, &#8220;On the Steps of Low Library: Liberalism &amp; the Revolution of the Young.&#8221; <em>Commentary</em>, Vol. 48(November 1968), pp 30-55</p>
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		<item>
		<title>Fri Feb 11: Stories in Reserve</title>
		<link>http://opencuny.org/caesurajames/2011/02/18/fri-feb-11-stories-in-reserve/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/18/fri-feb-11-stories-in-reserve/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 19:50:21 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=71</guid>
		<description><![CDATA[Bruno Latour, “Politics of Time, Politics of Space,” (2004), February 4, 2011, Don Mitchell, “New Axioms for Reading the Landscape: Paying Attention to Political Economy and Social Justice,” Political Economies of Landscape Change Vol. 89, No. 1,  (2008), pp. 29-50, http://www.bruno-latour.fr/presse/presse_art/GB-DOMUS%2012-04.html Timothy Morton introduction to, Ecological Thought, (Cambridge: Harvard University Press, 2010)]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Lize-Mogel.jpg"><img class="aligncenter size-medium wp-image-72" src="http://opencuny.org/caesurajames/files/2011/02/Lize-Mogel-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>Bruno Latour, “Politics of Time, Politics of Space,” (2004), February 4, 2011,</p>
<p>Don Mitchell, “New Axioms for Reading the Landscape: Paying Attention to Political Economy and Social Justice,” <a title="Link to the Book of this Chapter" href="http://www.springerlink.com/content/978-1-4020-5848-6/"><em>Political Economies of Landscape Change</em></a><em> </em>Vol. 89, No. 1,  (2008), pp. 29-50,</p>
<p>http://www.bruno-latour.fr/presse/presse_art/GB-DOMUS%2012-04.html</p>
<p>Timothy Morton introduction to, <em>Ecological Thought</em>, (Cambridge: Harvard University Press, 2010)</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thu Feb 10: Palante Siempre Palante: The Young Lords</title>
		<link>http://opencuny.org/caesurajames/2011/02/18/thu-feb-10-palante-siempre-palante-the-young-lords/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/18/thu-feb-10-palante-siempre-palante-the-young-lords/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 19:38:30 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=66</guid>
		<description><![CDATA[Erica Gonzales, “Mujeres of the Young Lords,” Colorlines, February 4, 2011, http://www.colorlines.com/archives/2009/08/mujeres_of_the_young_lords.html Iris Morales, &#8220;Palante Siempre Palante!:  an Interview with Richie Perez,” Centro Journal Vol. 20. no. 2 (fall 2009), pp 143-157]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Young-Lords.jpg"><img class="aligncenter size-medium wp-image-67" src="http://opencuny.org/caesurajames/files/2011/02/Young-Lords-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>Erica Gonzales, “Mujeres of the Young Lords,” <em>Colorlines</em>, February 4, 2011,</p>
<p>http://www.colorlines.com/archives/2009/08/mujeres_of_the_young_lords.html</p>
<p>Iris Morales, &#8220;Palante Siempre Palante!:  an Interview with Richie Perez<em>,” Centro Journal</em> Vol. 20. no. 2 (fall 2009), pp 143-157</p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Wed Feb 9: Perpetual Peace</title>
		<link>http://opencuny.org/caesurajames/2011/02/18/wed-feb-9-perpetual-peace/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/18/wed-feb-9-perpetual-peace/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 18:44:04 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=62</guid>
		<description><![CDATA[Immanuel Kant, “Perpetual peace: a philosophical sketch, “(1795), February 4, 2011, http://www.mtholyoke.edu/acad/intrel/kant/kant1.htm]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Perpetual-Peace.jpg"><img class="aligncenter size-medium wp-image-63" src="http://opencuny.org/caesurajames/files/2011/02/Perpetual-Peace-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>Immanuel Kant, “Perpetual peace: a philosophical sketch, “(1795), February 4, 2011,</p>
<p>http://www.mtholyoke.edu/acad/intrel/kant/kant1.htm</p>
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		<slash:comments>0</slash:comments>
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		<title>Tue Feb 8: Mass Taste</title>
		<link>http://opencuny.org/caesurajames/2011/02/08/tue-feb-8-mass-taste/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/08/tue-feb-8-mass-taste/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 20:46:07 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=41</guid>
		<description><![CDATA[Karl Marx and Friedrich Engels, “Manifesto of the Communist Party,” Marx &#38; Engels Selected Works, February 4, 2011 http://www.marxists.org/archive/marx/works/1848/communist-manifesto/ Andrew Ross, “Poll stars,” Artforum Vol. 109 (January 1995), pp. 72-77 Dia Director&#8217;s Introduction, “The Most Wanted Paintings on the Web,” http://awp.diaart.org/km/intro.html Jesse Prinz, “Can Critics Be Dispassionate? The Role of Emotion in Aesthetic Judgment in [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Komar.jpg"><img class="aligncenter size-medium wp-image-58" src="http://opencuny.org/caesurajames/files/2011/02/Komar-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>Karl Marx and Friedrich Engels, “Manifesto of the Communist Party,” <em>Marx &amp; Engels Selected Works, </em>February 4, 2011</p>
<p>http://www.marxists.org/archive/marx/works/1848/communist-manifesto/</p>
<p>Andrew Ross, “Poll stars,” <em>Artforum</em> Vol. 109 (January 1995), pp. 72-77</p>
<p>Dia Director&#8217;s Introduction, “The Most Wanted Paintings on the Web,”</p>
<p>http://awp.diaart.org/km/intro.html</p>
<p>Jesse Prinz, “Can Critics Be Dispassionate? <em>The Role of Emotion in Aesthetic Judgment in Aesthetic Judgment</em>, “presented at the <em>American society for Aesthetics</em>, October 2004</p>
<p>&#8212;&#8212;&#8212;&#8212;-,” Beyond Appearances: The Content of Sensation and Perception,” February 4, 2011</p>
<p>http://subcortex.com/BeyondAppearancesPrinz.pdf</p>
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		<slash:comments>0</slash:comments>
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		<title>Mon Feb 8: Pop/Art: On the Convergence of the Avant-garde and Underground Music</title>
		<link>http://opencuny.org/caesurajames/2011/02/08/popart-on-the-convergence-of-the-avant-garde-and-underground-music/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/08/popart-on-the-convergence-of-the-avant-garde-and-underground-music/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 20:42:45 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=38</guid>
		<description><![CDATA[Vince Aletti, &#8220;The Men in the Glass Booth,&#8221; The Disco Files 1973-78. DJhistory.com, 2009 Maryanne Amacher, &#8220;Psychoacoustic Phenomena in Musical Composition,&#8221; Arcana III: Musicians on Music, Hips Road/Tzadik, 2008 Joan La Barbara, &#8220;Max Neuhaus: New Sounds in Natural Settings&#8221;, Musical America, October 1977 Douglas Crimp, &#8220;DISSS-CO (A FRAGMENT),&#8221; Criticism: A Quarterly for Literature and the [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/Pop-Art-Image-2.jpg"><img class="alignnone size-full wp-image-51" src="http://opencuny.org/caesurajames/files/2011/02/Pop-Art-Image-2.jpg" alt="" width="320" height="212" /></a></p>
<p>Vince Aletti, &#8220;The Men in the Glass Booth,&#8221; <em>The Disco Files 1973-78</em>.<br />
DJhistory.com, 2009</p>
<p>Maryanne Amacher, &#8220;Psychoacoustic Phenomena in Musical Composition,&#8221;<br />
<em>Arcana III: Musicians on Music</em>, Hips Road/Tzadik, 2008</p>
<p>Joan La Barbara, &#8220;Max Neuhaus: New Sounds in Natural Settings&#8221;,<br />
<em>Musical America</em>, October 1977</p>
<p>Douglas Crimp, &#8220;DISSS-CO (A FRAGMENT),&#8221; <em>Criticism: A Quarterly for<br />
Literature and the Arts</em>, Volume 50, Number 1, Winter 2008. Wayne State<br />
University Press</p>
<p>Jill Drower, &#8220;The Exploding Galaxy&#8221; <em>Third Text,</em> Vol. 22, Issue 2, March, 2008, 229–236</p>
<p>Bernhard Leitner, &#8220;Sound Space Manifesto,&#8221; New York, 1977</p>
<p>Adrian Whittaker and Michael Bracewell, &#8220;Non-stop Erotic Caberet&#8221; <em>The Wire</em></p>
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		<slash:comments>0</slash:comments>
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		<title>Wed Feb 2: Caesura Keynote: Fred Moten: Liner Notes for &#8220;Lick Piece&#8221;</title>
		<link>http://opencuny.org/caesurajames/2011/02/08/32/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/08/32/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 20:32:25 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=32</guid>
		<description><![CDATA[James Leo Cahill and Rachel Thompson, “The Insurgency of Objects: a Conversation with Fred Moten 0123468957 Vol .1 (Fall 2005), pp. 46-66 Joseph Campana. In Fluxus: Benjamin Patterson Wants to Lick Whipped Cream off your Naked Body, Culture Map Houston, February 4, 2011, http://culturemap.com/newsdetail/11-17-10-in-fluxus-benjamin-patterson-wants-to-lick-whipped-cream-off-your-naked-body/ An Abbreviated Biography of Ben Patterson, African American Performance Art Archive, [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://opencuny.org/caesurajames/files/2011/02/DSC_00771.jpg"><img class="aligncenter size-medium wp-image-48" src="http://opencuny.org/caesurajames/files/2011/02/DSC_00771-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p>James Leo Cahill and Rachel Thompson, “The Insurgency of Objects: a Conversation with Fred Moten <em>0123468957</em> Vol .1 (Fall 2005), pp. 46-66</p>
<p>Joseph Campana. In Fluxus: Benjamin Patterson Wants to Lick Whipped Cream off your Naked Body, <em>Culture Map Houston</em>, February 4, 2011,</p>
<p>http://culturemap.com/newsdetail/11-17-10-in-fluxus-benjamin-patterson-wants-to-lick-whipped-cream-off-your-naked-body/</p>
<p>An Abbreviated Biography of Ben Patterson, <em>African American Performance Art Archive</em>, February 4, 2011,</p>
<p>http://aapaa.org/artists/ben-patterson/an-abbreviated-biography-of-ben-patterson/</p>
<p>Fred Moten, “Fugitivity is Immanent to the Thing but is Manifest Transversally, <em>Poetry Foundation, </em>February 4, 2011,</p>
<p>http://www.poetryfoundation.org/archive/poem.html?id=239076</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;-,” the Salve Trade,” <em>Poetry Foundation</em></p>
<p>&#8212;&#8212;&#8212;&#8212;-,”There is Religious Tattooing,” <em>Poetry Foundation</em></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;-, “Tonk and Waterfront, Black Line Fade, Unbuilt Hotel, that Union Half,” <em>Poetry Foundation</em></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;,”Music against the Law of  Reading the future and  ‘Rodney king,’&#8221; <em>the journal of Midwest modern language association </em>Vol. 27 no 1 ( spring 1994) , pp. 51-64</p>
<p>Fred Moten and Charles Henry Rowell, &#8220;Words don&#8217;t go there&#8217; an Interview with Fred Moten<em> Callaloo</em> Vol. 27. No. 4 (2004), pp. 954-96</p>
<p>Fred Moten, “The Case of Blackness<em>, Criticism</em>, Vol. 50. No. 2 (Spring 2007), pp.  177-218</p>
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		<title>Tue Feb 1: EOAGH: A Journal of the Arts, Issue #6</title>
		<link>http://opencuny.org/caesurajames/2011/02/04/tue-feb-1-eoagh-a-journal-of-the-arts-issue-6/</link>
		<comments>http://opencuny.org/caesurajames/2011/02/04/tue-feb-1-eoagh-a-journal-of-the-arts-issue-6/#comments</comments>
		<pubDate>Fri, 04 Feb 2011 18:13:08 +0000</pubDate>
		<dc:creator>gbrowning</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://opencuny.org/caesurajames/?p=19</guid>
		<description><![CDATA[Introduction by Tim Peterson Charles Alexander, “Geography/ Geology / Astronomy/ Poetry” Charles Alexander, “Ordered Fragments (       ) of a Discovered Devotion” Steve Benson and Jackson Mac Low, “HERE AND NOW / KNOWAIR” Jackson Mac Low, “Feeling Down Clementi Felt Imposed Upon from Every Direction” &#8212;&#8212;&#8212;&#8211;  “Our Creativity &#8211; Memory was Wrung , was it?” [...]]]></description>
				<content:encoded><![CDATA[<p>Introduction by Tim Peterson</p>
<p>Charles Alexander, “Geography/ Geology / Astronomy/ Poetry”</p>
<p>Charles Alexander, “Ordered Fragments (       ) of a Discovered Devotion”</p>
<p>Steve Benson and Jackson Mac Low, “HERE AND NOW / KNOWAIR”</p>
<p>Jackson Mac Low, “Feeling Down Clementi Felt Imposed Upon from Every Direction”</p>
<p>&#8212;&#8212;&#8212;&#8211;  “Our Creativity &#8211; Memory was Wrung , was it?”</p>
<p>&#8212;&#8212;&#8212;&#8212;-“Our Throng Is Too Much Involved with Dazzle”</p>
<p>Andrew Levy, “Nothing is in Here”</p>
<p>Tony Leuzzi, “An Interview with Kevin Killian”</p>
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